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The explosive growth in photography book publishing has presented photo-eye with an interesting challenge along with what we think is an exciting opportunity.
How can we continue to offer an ever-increasing inventory of photography books, keep those books continuously in stock and compete with the online deep discounters on price and shipping? The answer is that we can shift much our fullfillment to the web's most efficient book operation, Amazon.com.
Now we are happy to offer you Amazon's discounts on books which are almost always in stock from either Amazon directly or Amazon Marketplace. We can also provide you with the same shipping options that Amazon provides, including on qualified orders, free shipping.
It's important to understand that you will still be supporting photo-eye if you order from Amazon or Amazon Marketplace through photoeye.com. We make it easy for you to do this by providing a dual shopping cart system with separate checkouts.
However, you may still opt to purchase a particular title from photo-eye directly even though the same book is available through Amazon at a less expensive price.
Book publishing is not a perfect industry. Though all books are imperfect in some subtle way, we want to be as accurate as possible on our website if we know that there is a problem with a particular book. Imperfections range from a rubbed dustjacket, a small tear in the dustjacket, or a corner of the book being bumped. No fundamental flaw should be part of an imperfect book's condition. E-mail us our call 505.988.5152 should you have questions prior to ordering a particular imperfect book.
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An additional change will be added to the standard handling charge for this item as it is a foreign publication and shipping expenses from foreign countries is extremely expensive or it requires a larger, more expensive box or it requires extra care in handling. Thank you for understanding!
In the 1970s, Britain faced a crisis in its towns and cities. The loss of traditional industries, amongst other factors, had led to increased poverty, poor housing and unemployment but the government’s response under the leadership of Margaret Thatcher was compounding the problems with its regressive welfare policies and laissez faire economic strategy.
Against this background, a new generation of socially conscious photographers emerged. Mainly college-trained, they rejected traditional avenues to a career in photography in order to document the challenging issues they saw in their communities and to confront those in authority with their uncompromising images.
Tish Murtha was at the forefront of this ‘movement’. One of 10 children from a working class Newcastle inner-city area she was, more than many other photographers, completely at home in the environment she chose to work. Her years away studying under David Hurn, at the newly established School of Documentary Photography at Newport, had given her the training and experience to document the inequality and injustice she experienced in her hometown.
Youth Unemployment is a key body of work in British documentary history. Its subject matter was the appalling waste of young people’s lives, which badly thought out government job creation schemes did little to alleviate. Tish’s images are hard-hitting yet not without humour. Her closeness to those she photographed – many were family or friends – is apparent in the remarkable series of images in this book.
Almost 40 years on, her talent shines from each page. Finally, she has the book she deserves.
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