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The explosive growth in photography book publishing has presented photo-eye with an interesting challenge along with what we think is an exciting opportunity.
How can we continue to offer an ever-increasing inventory of photography books, keep those books continuously in stock and compete with the online deep discounters on price and shipping? The answer is that we can shift much our fullfillment to the web's most efficient book operation, Amazon.com.
Now we are happy to offer you Amazon's discounts on books which are almost always in stock from either Amazon directly or Amazon Marketplace. We can also provide you with the same shipping options that Amazon provides, including on qualified orders, free shipping.
It's important to understand that you will still be supporting photo-eye if you order from Amazon or Amazon Marketplace through photoeye.com. We make it easy for you to do this by providing a dual shopping cart system with separate checkouts.
However, you may still opt to purchase a particular title from photo-eye directly even though the same book is available through Amazon at a less expensive price.
Book publishing is not a perfect industry. Though all books are imperfect in some subtle way, we want to be as accurate as possible on our website if we know that there is a problem with a particular book. Imperfections range from a rubbed dustjacket, a small tear in the dustjacket, or a corner of the book being bumped. No fundamental flaw should be part of an imperfect book's condition. E-mail us our call 505.988.5152 should you have questions prior to ordering a particular imperfect book.
Place your order now and we'll send you the item when it arrives.
You will not be charged until your order ships.
An additional change will be added to the standard handling charge for this item as it is a foreign publication and shipping expenses from foreign countries is extremely expensive or it requires a larger, more expensive box or it requires extra care in handling. Thank you for understanding!
Made 20 years after Uncommon Places, Shore's newest imagery, upon first reading, seems to have done an about-face from the course set two decades ago. For one thing, they're black-and-white. For another, these are close-ups of tree trunks, moss-covered rocks, and subtle, almost quaint photographs of leaves dusting the forest floor. But in a recent phone conversation--Shore was driving to Parent's Day at his son's Connecticut college--he convincingly elaborated the vital relationship between these two disparate bodies of work, cemented not by the fact of the 8x10 view camera that has remained his companion, but rather by ideas. The view camera monumentalizes things by close observation, by saturation of detail. Shore stated that this fact so often stymies students who search for a subject worthy of such attention. But one doesn't have to find something monumental to photograph. Though it's true that, for Shore, the 8x10 equates with a heightened sense of awareness in the world, that awareness can be applied to the everyday. This is the essential link between the earlier color work (see p. 3) and this rich new body of images. The limited edition of 50 has an original gelatin silver print tipped on to the cover and is signed and numbered by the artist.