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The explosive growth in photography book publishing has presented photo-eye with an interesting challenge along with what we think is an exciting opportunity.
How can we continue to offer an ever-increasing inventory of photography books, keep those books continuously in stock and compete with the online deep discounters on price and shipping? The answer is that we can shift much our fullfillment to the web's most efficient book operation, Amazon.com.
Now we are happy to offer you Amazon's discounts on books which are almost always in stock from either Amazon directly or Amazon Marketplace. We can also provide you with the same shipping options that Amazon provides, including on qualified orders, free shipping.
It's important to understand that you will still be supporting photo-eye if you order from Amazon or Amazon Marketplace through photoeye.com. We make it easy for you to do this by providing a dual shopping cart system with separate checkouts.
However, you may still opt to purchase a particular title from photo-eye directly even though the same book is available through Amazon at a less expensive price.
Book publishing is not a perfect industry. Though all books are imperfect in some subtle way, we want to be as accurate as possible on our website if we know that there is a problem with a particular book. Imperfections range from a rubbed dustjacket, a small tear in the dustjacket, or a corner of the book being bumped. No fundamental flaw should be part of an imperfect book's condition. E-mail us our call 505.988.5152 should you have questions prior to ordering a particular imperfect book.
Place your order now and we'll send you the item when it arrives.
You will not be charged until your order ships.
An additional change will be added to the standard handling charge for this item as it is a foreign publication and shipping expenses from foreign countries is extremely expensive or it requires a larger, more expensive box or it requires extra care in handling. Thank you for understanding!
“From this ephemeral experience, I have kept in mind that every work can only be, as Duchamp phrased it, an “encounter,” here a shared experience. Then comes a flood of images, the moments of contemporary art among which Sabine’s project resolutely takes its place: Dennis Oppenheim’s tracing Annual Rings in the snow in 1968 at the Fort Kent border crossing between the United States and Canada; Robert Smithson’s making Spiral Jetty in 1970 on Great Salt Lake in Utah; Alice Haycock’s constructing her temporary Maze in 1972, near New Kingston, Pennsylvania; Nancy Holt’s invitng us, in 1973, to pass through Sun Tunnels, aligned with the solstices on the horizon of the Great Basin Desert in northwestern Utah; Walter De Maria’s erecting The Lightning Field in New Mexico, four hundred steel poles that Colette Garraud has described as a “gigantic expectancy structure turned toward the sky’s capricious manifestations, and its silences.” Each of these works is an incitement to seize for a few moments the relationship to a site and experience a newfound awareness of the risk that it might disappear.” — Bernard Blistène
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This item is currently unavailable from photo-eye, Amazon and Amazon Marketplace.