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The explosive growth in photography book publishing has presented photo-eye with an interesting challenge along with what we think is an exciting opportunity.
How can we continue to offer an ever-increasing inventory of photography books, keep those books continuously in stock and compete with the online deep discounters on price and shipping? The answer is that we can shift much our fullfillment to the web's most efficient book operation, Amazon.com.
Now we are happy to offer you Amazon's discounts on books which are almost always in stock from either Amazon directly or Amazon Marketplace. We can also provide you with the same shipping options that Amazon provides, including on qualified orders, free shipping.
It's important to understand that you will still be supporting photo-eye if you order from Amazon or Amazon Marketplace through photoeye.com. We make it easy for you to do this by providing a dual shopping cart system with separate checkouts.
However, you may still opt to purchase a particular title from photo-eye directly even though the same book is available through Amazon at a less expensive price.
Book publishing is not a perfect industry. Though all books are imperfect in some subtle way, we want to be as accurate as possible on our website if we know that there is a problem with a particular book. Imperfections range from a rubbed dustjacket, a small tear in the dustjacket, or a corner of the book being bumped. No fundamental flaw should be part of an imperfect book's condition. E-mail us our call 505.988.5152 should you have questions prior to ordering a particular imperfect book.
Place your order now and we'll send you the item when it arrives.
You will not be charged until your order ships.
An additional change will be added to the standard handling charge for this item as it is a foreign publication and shipping expenses from foreign countries is extremely expensive or it requires a larger, more expensive box or it requires extra care in handling. Thank you for understanding!
Edition of 250
"In 2014 I put my belongings in storage and moved to Los Angeles from New York with my camera and some clothes. I was new to the city and heartbroken. I had no car, little to no money and not many jobs coming in. And so, I spent the first year in Los Angeles with my camera around my neck, getting around the sprawling city using a combination of bicycle, bus and train, looking at this new place.
It was during this time that I quickly began to realize that there are often two different ways to experience Los Angeles — public versus private, street level versus overpass, air-conditioned car versus bus window. As I began to photograph, my initial impetus for making this work was to explore this disparity and describe what the social landscape looks like for people navigating the dusty streets, public transit hubs and desolate sidewalks in a city notoriously dominated by car.
While there are not many landmarks or recognizable buildings, these photographs are made in areas that are not out of the way for most people who live here. These are places people drive through every day, the in-between spaces and tucked away places on the street that are only visible on foot and require a willingness to look. The Los Angeles that reveals itself in these images is not the expected depiction of the LA we all know, but a world parallel to it made up of working-class outsiders and quiet everyday moments amidst the whir of traffic. The loneliness that informs this work is perhaps a result of both my own psychology and the types of people and things I am drawn to, people who seem to carry a burden but also call for stillness, contemplation and empathy."
— Zach Callahan, March 2024