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The explosive growth in photography book publishing has presented photo-eye with an interesting challenge along with what we think is an exciting opportunity.
How can we continue to offer an ever-increasing inventory of photography books, keep those books continuously in stock and compete with the online deep discounters on price and shipping? The answer is that we can shift much our fullfillment to the web's most efficient book operation, Amazon.com.
Now we are happy to offer you Amazon's discounts on books which are almost always in stock from either Amazon directly or Amazon Marketplace. We can also provide you with the same shipping options that Amazon provides, including on qualified orders, free shipping.
It's important to understand that you will still be supporting photo-eye if you order from Amazon or Amazon Marketplace through photoeye.com. We make it easy for you to do this by providing a dual shopping cart system with separate checkouts.
However, you may still opt to purchase a particular title from photo-eye directly even though the same book is available through Amazon at a less expensive price.
Book publishing is not a perfect industry. Though all books are imperfect in some subtle way, we want to be as accurate as possible on our website if we know that there is a problem with a particular book. Imperfections range from a rubbed dustjacket, a small tear in the dustjacket, or a corner of the book being bumped. No fundamental flaw should be part of an imperfect book's condition. E-mail us our call 505.988.5152 should you have questions prior to ordering a particular imperfect book.
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You will not be charged until your order ships.
An additional change will be added to the standard handling charge for this item as it is a foreign publication and shipping expenses from foreign countries is extremely expensive or it requires a larger, more expensive box or it requires extra care in handling. Thank you for understanding!
Printed in a limited edition of 500 copies, each book is hand-numbered, signed, and features a final personal touch—each is burned with a lit cigarette, making every book a singular tribute to the ephemerality of life.
Multimedia artist TR Ericsson reimagines personal family photographs in his deeply moving book, Nicotine. To create the artworks, Ericsson employs a unique process that involves passing nicotine through a halftone silkscreen, resulting in a ghostly imprint of an image. The resulting prints are as much about the haunting presence of the past manifested in photographs as they are about memory’s ephemeral nature.
A lifelong smoker, Ericsson’s mother, Sue, would often stay up late into the night at her dining table, cigarette in hand. After her death by suicide in 2003, Ericsson was faced with the task of cleaning her home and its nicotine-stained walls. This experience served as the catalyst for the creation of the nicotine works. As Ericsson scraped the wallpaper, he thought not just of the physical stains but of his mother herself—alone, up all night, ruminating over her past.
Nicotine is an ode to the life of Ericsson’s mother and a meditation on the lingering impressions that remain when a life ends. In transforming seemingly banal snapshots into newly conceived forms, Ericsson recontextualizes the images, elevates them, and preserves the newfound narratives that they carry—stories that would otherwise be buried with the deceased.
Nicotine takes the form of a strange and eccentric family album. Its cover is bound in a luxurious tobacco-colored, suede-like cloth that evokes the drapery of interiors from another time. It is a physical memorial that captures the fading essence of a life once lived. With echoes of a nineteenth-century scientific catalog, each of the twenty-six images are individually tipped on the book's pages, referencing the meticulous attention given to a family scrapbook.
The process of burning these images into existence using the same chemicals that contributed to his mother’s deteriorating health transforms the book into a sacred vessel invoking a seance, an altarpiece, and a ritualistic act of remembering. The tones of the nicotine-stained prints vary, reminding us that each print is an act of performance and a unique, physical record of time. Here the fugitive print qualities of photographs are inverted—rather than fade away, the image materializes, rising from the ashes to be remembered.