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The explosive growth in photography book publishing has presented photo-eye with an interesting challenge along with what we think is an exciting opportunity.
How can we continue to offer an ever-increasing inventory of photography books, keep those books continuously in stock and compete with the online deep discounters on price and shipping? The answer is that we can shift much our fullfillment to the web's most efficient book operation, Amazon.com.
Now we are happy to offer you Amazon's discounts on books which are almost always in stock from either Amazon directly or Amazon Marketplace. We can also provide you with the same shipping options that Amazon provides, including on qualified orders, free shipping.
It's important to understand that you will still be supporting photo-eye if you order from Amazon or Amazon Marketplace through photoeye.com. We make it easy for you to do this by providing a dual shopping cart system with separate checkouts.
However, you may still opt to purchase a particular title from photo-eye directly even though the same book is available through Amazon at a less expensive price.
Book publishing is not a perfect industry. Though all books are imperfect in some subtle way, we want to be as accurate as possible on our website if we know that there is a problem with a particular book. Imperfections range from a rubbed dustjacket, a small tear in the dustjacket, or a corner of the book being bumped. No fundamental flaw should be part of an imperfect book's condition. E-mail us our call 505.988.5152 should you have questions prior to ordering a particular imperfect book.
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The Dream Pool is a book comprised of 15 years of photographic work and archival newspaper texts from 1833-1835 that are intertwined with a personal narrative. The images were made in three countries - Switzerland, the United States and India. The content and story line span two centuries, while the personal narrative spans several generations.
In 1833, ice was harvested from Walden Pond and a few other ponds in New England, placed on a ship called the Tuscany, and sent to Calcutta by ice entrepreneur Frederic Tudor. Upon departure, there were 400,000 pounds of ice on the ship; when it arrived in Calcutta, September of 1833, roughly half that remained. No one in Calcutta had ever seen anything like it. Calcuttans wrote poems about the ice to the local newspaper: poems about relief to the feeling of their brains on fire and of cold wine and ice cream. Some, upon touching the ice, felt like their hands were burning and ran.
In June of 2014, I first went to Calcutta to search for mentions of the ice trade in the National Library newspaper archives and to photograph blocks of ice melting outside of the oldest ice factory in India.
In Nashville, one hot summer day in 2016, my mother, who I had always been close with, suddenly ended our relationship by email under mysterious circumstances, turning my life and my work about the ice trade on its head.
The Dream Pool weaves the poetic memory of the almost-evaporated history that was once the Indo-American Ice Trade of 1833 with the present day of my family’s story, beginning with an enduring rupture over the departure from their idealized Swiss homeland and the ultimate dissolution of a family. Finding connections between global and regional aspirations, personal narrative, and within the relevant context of an ever-warming planet, I am resuscitating memories that highlight the optimism and limits of photographic seeing. It feels a bit like going out into the sun with a sunburn.
What results is a nested braided narrative about melting ice, pictures both seen and unseen, lost and imagined homelands, disappearing mothers and the fading dream of motherhood.
Read more about The Dream Pool here
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