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The explosive growth in photography book publishing has presented photo-eye with an interesting challenge along with what we think is an exciting opportunity.
How can we continue to offer an ever-increasing inventory of photography books, keep those books continuously in stock and compete with the online deep discounters on price and shipping? The answer is that we can shift much our fullfillment to the web's most efficient book operation, Amazon.com.
Now we are happy to offer you Amazon's discounts on books which are almost always in stock from either Amazon directly or Amazon Marketplace. We can also provide you with the same shipping options that Amazon provides, including on qualified orders, free shipping.
It's important to understand that you will still be supporting photo-eye if you order from Amazon or Amazon Marketplace through photoeye.com. We make it easy for you to do this by providing a dual shopping cart system with separate checkouts.
However, you may still opt to purchase a particular title from photo-eye directly even though the same book is available through Amazon at a less expensive price.
Book publishing is not a perfect industry. Though all books are imperfect in some subtle way, we want to be as accurate as possible on our website if we know that there is a problem with a particular book. Imperfections range from a rubbed dustjacket, a small tear in the dustjacket, or a corner of the book being bumped. No fundamental flaw should be part of an imperfect book's condition. E-mail us our call 505.988.5152 should you have questions prior to ordering a particular imperfect book.
Place your order now and we'll send you the item when it arrives.
You will not be charged until your order ships.
An additional change will be added to the standard handling charge for this item as it is a foreign publication and shipping expenses from foreign countries is extremely expensive or it requires a larger, more expensive box or it requires extra care in handling. Thank you for understanding!
It took Courtney Allen more than half a decade, and thousands of miles of travel across a dozen states, to make the pictures that comprise her debut monograph Splendor. As the title implies, there is an undeniable sense of glory and of grandeur in the American landscape. “If we can understand the capacity for beauty in any situation, it is there,” she says. “It is a primary and universal experience.”
And yet, attending the light there is always a darkness; in these photographs, the almost-inescapable built environment complicates and confounds our varied expectations of nature: to be nurtured, to conquer, to stand atop, to be held within. Allen’s meditative meandering of the natural world is punctuated by moments when things appear out of place, as if one has been awoken from a dreamlike state.
“To be inside a Courtney Allen image,” Kathleen Alcott observes in her essay, “is to eavesdrop on an argument between the secular and the divine, the sentient and the manufactured, the forever and the recent.” Importantly, these tensions are not merely described by Allen, but rather evoked, as we see things not only through her eyes, but as a collective experience, an act of community among people who have also been drawn to these sites.
Out-of-stock books are available to backorder from photo-eye.