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The explosive growth in photography book publishing has presented photo-eye with an interesting challenge along with what we think is an exciting opportunity.
How can we continue to offer an ever-increasing inventory of photography books, keep those books continuously in stock and compete with the online deep discounters on price and shipping? The answer is that we can shift much our fullfillment to the web's most efficient book operation, Amazon.com.
Now we are happy to offer you Amazon's discounts on books which are almost always in stock from either Amazon directly or Amazon Marketplace. We can also provide you with the same shipping options that Amazon provides, including on qualified orders, free shipping.
It's important to understand that you will still be supporting photo-eye if you order from Amazon or Amazon Marketplace through photoeye.com. We make it easy for you to do this by providing a dual shopping cart system with separate checkouts.
However, you may still opt to purchase a particular title from photo-eye directly even though the same book is available through Amazon at a less expensive price.
Book publishing is not a perfect industry. Though all books are imperfect in some subtle way, we want to be as accurate as possible on our website if we know that there is a problem with a particular book. Imperfections range from a rubbed dustjacket, a small tear in the dustjacket, or a corner of the book being bumped. No fundamental flaw should be part of an imperfect book's condition. E-mail us our call 505.988.5152 should you have questions prior to ordering a particular imperfect book.
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An additional change will be added to the standard handling charge for this item as it is a foreign publication and shipping expenses from foreign countries is extremely expensive or it requires a larger, more expensive box or it requires extra care in handling. Thank you for understanding!
Limited Edition of 500 copies
The pond at Upton Pyne formed at the site of an eighteenth-century manganese mine.
Located on land owned by a local family who were involved in the mining venture, the first excavations began in March 1788. It was originally an open-cast mine employing just a few men who worked with ladders, picks, shovels, horses and carts. The quality of the ore in the load was rich, and once refined it was shipped from Exeter Quay to London and Bristol, where it was used predominantly in the production of glass. After a bright start the output of the mine steadily diminished and by 1823 it had ceased production, leaving a large pit, shallow on the east side near the road and becoming deeper towards the west, where it is overhung by a cliff.
Known locally as ‘The Black Pit’, it gradually filled with water to form a pond. Within living memory the land around the pond had been used to keep the village pigs and to grow vegetables. However, over the years, as so many relics of the Industrial Revolution, it became increasingly derelict, full of discarded household goods, a car, farm and garden waste and fallen trees.
This is a story in three parts. The first two are built around the three-year cycles of the two projects to improve the pond. The third is a short epilogue that places the site in a wider geographic perspective.
The pictures present a collection of histories. Within the broad sweep of time they encompass a thousand years of a large estate on the borders of a city that has since Roman times been a regional capital; the comings and goings of the Industrial Revolution; the decline of agricultural life with the advent of modern farming; and the urbanisation of village life.
Within the span of the six years the pond had risen and fallen, trees had collapsed while others grew, herons and a kingfisher had returned, the roof of the shed adjacent to the pond had fallen in, the collection of farm machinery had grown, and the number of ducks living in and around the pond had significantly increased.
Running as threads through the work are the myths that pervade our imaginations and motivate so many of our actions; and the wonder at what we too might leave behind.