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The explosive growth in photography book publishing has presented photo-eye with an interesting challenge along with what we think is an exciting opportunity.
How can we continue to offer an ever-increasing inventory of photography books, keep those books continuously in stock and compete with the online deep discounters on price and shipping? The answer is that we can shift much our fullfillment to the web's most efficient book operation, Amazon.com.
Now we are happy to offer you Amazon's discounts on books which are almost always in stock from either Amazon directly or Amazon Marketplace. We can also provide you with the same shipping options that Amazon provides, including on qualified orders, free shipping.
It's important to understand that you will still be supporting photo-eye if you order from Amazon or Amazon Marketplace through photoeye.com. We make it easy for you to do this by providing a dual shopping cart system with separate checkouts.
However, you may still opt to purchase a particular title from photo-eye directly even though the same book is available through Amazon at a less expensive price.
Book publishing is not a perfect industry. Though all books are imperfect in some subtle way, we want to be as accurate as possible on our website if we know that there is a problem with a particular book. Imperfections range from a rubbed dustjacket, a small tear in the dustjacket, or a corner of the book being bumped. No fundamental flaw should be part of an imperfect book's condition. E-mail us our call 505.988.5152 should you have questions prior to ordering a particular imperfect book.
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An additional change will be added to the standard handling charge for this item as it is a foreign publication and shipping expenses from foreign countries is extremely expensive or it requires a larger, more expensive box or it requires extra care in handling. Thank you for understanding!
Baltimore Portraits presents two bodies of work taken between 1976 and 1985, privately made by the late artist, Steven Cuffie, who spent his life as a photographer working for the city of Baltimore. Edited by his youngest son, Marcus Cuffie, who also wrote an introduction about his father’s legacy. My siblings and I discovered them after he passed away, when my sister came across a collection of print filled boxes that had been kept in various cabinets throughout our house. In working with them, two subjects emerged most clearly, women and children. These are the subjects that occur most frequently in his early work. Portraits of women taken while he was a bachelor, and pictures of children he started concurrently in the mid 70’s.
"In expanding a conversation about Baltimore, and the lives of its peoples his work expands an understanding of the city. The idea of being black in the 70’s was developing rapidly and these works are connected to that lineage. The people in these images are not only subjects but collaborators in telling a story. Harder truths of the city are not hidden in the smiles of children, they are understood as only one part of what makes up life. The intimate space in which the portraits of women are taken is one that feels enclosed from external ideas of what blackness meant at the time. Free from narrative, the people in these images are allowed to unfold as real before the viewers eyes, free from politics that demand classification." — Marcus Cuffie
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