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The explosive growth in photography book publishing has presented photo-eye with an interesting challenge along with what we think is an exciting opportunity.
How can we continue to offer an ever-increasing inventory of photography books, keep those books continuously in stock and compete with the online deep discounters on price and shipping? The answer is that we can shift much our fullfillment to the web's most efficient book operation, Amazon.com.
Now we are happy to offer you Amazon's discounts on books which are almost always in stock from either Amazon directly or Amazon Marketplace. We can also provide you with the same shipping options that Amazon provides, including on qualified orders, free shipping.
It's important to understand that you will still be supporting photo-eye if you order from Amazon or Amazon Marketplace through photoeye.com. We make it easy for you to do this by providing a dual shopping cart system with separate checkouts.
However, you may still opt to purchase a particular title from photo-eye directly even though the same book is available through Amazon at a less expensive price.
Book publishing is not a perfect industry. Though all books are imperfect in some subtle way, we want to be as accurate as possible on our website if we know that there is a problem with a particular book. Imperfections range from a rubbed dustjacket, a small tear in the dustjacket, or a corner of the book being bumped. No fundamental flaw should be part of an imperfect book's condition. E-mail us our call 505.988.5152 should you have questions prior to ordering a particular imperfect book.
Place your order now and we'll send you the item when it arrives.
You will not be charged until your order ships.
An additional change will be added to the standard handling charge for this item as it is a foreign publication and shipping expenses from foreign countries is extremely expensive or it requires a larger, more expensive box or it requires extra care in handling. Thank you for understanding!
Only the plants will ever know is a photobook which may leave your fingers and conscience a little dirty.
The book combines two stories, which run parralel within the narrative and create a visual dialog with each other: a collection of 25 found negatives and a series of photographs found in ‘The Great Plant Dictionary’ originally published in 1972. The selection of those photographs was inspired by the story of one of the biggest, most rare and intriguing plants in the world — Amorphophallus Titanum, which translates as ‘giant misshapen penis’ — also commonly known as the Corpse Flower. Hardly any of these plants exist in cultivation and their blooms are both extremely rare and unpredictable — occuring only once in a decade and lasting only up to two days. When the blooming begins the flower exposes it’s fleshy coloured inner tube structure and emits a signature stench. The viewing of the flowering Corpse Plant was forbidden to young women by English governesses when one of the first plants of this type began to bloom for the first time in UK. A little cardboard box found by chance in summer of 2020 contains a collection of black and white slides, which show rephotographed pages of a porn magazine with a stamped date of 20th of July 1970. Looking through these amateur photographs is an intimate experience of viewing the bespoke magazine pages through someone else’s eyes. The act of visual and material transformation by Wysocka and Pogo is reclaiming this view. The images are further cropped, reframed and reorganised in a meticulous way to then be reprinted using artists’ own developed technique — a distortion of the offset and risograph printed sheets in an effort to recreate a uniquely textured, soft, metallic graphite impressions, which resemble the look and feel of the original slides.
In 2016 an unexplicable occurance took place — dozens of Corpse Flowers kept miles away from each other started to bloom. ‘will we ever understand what happened? probably not. unfortunately, only the plants will ever know.’ “Curious that’s so unconscious of a thing should have such a keen eye to its own interest. If this is unconsciousness, where is the use of consciousness?” —Samuel Butler, botanist, 1871
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