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The explosive growth in photography book publishing has presented photo-eye with an interesting challenge along with what we think is an exciting opportunity.
How can we continue to offer an ever-increasing inventory of photography books, keep those books continuously in stock and compete with the online deep discounters on price and shipping? The answer is that we can shift much our fullfillment to the web's most efficient book operation, Amazon.com.
Now we are happy to offer you Amazon's discounts on books which are almost always in stock from either Amazon directly or Amazon Marketplace. We can also provide you with the same shipping options that Amazon provides, including on qualified orders, free shipping.
It's important to understand that you will still be supporting photo-eye if you order from Amazon or Amazon Marketplace through photoeye.com. We make it easy for you to do this by providing a dual shopping cart system with separate checkouts.
However, you may still opt to purchase a particular title from photo-eye directly even though the same book is available through Amazon at a less expensive price.
Book publishing is not a perfect industry. Though all books are imperfect in some subtle way, we want to be as accurate as possible on our website if we know that there is a problem with a particular book. Imperfections range from a rubbed dustjacket, a small tear in the dustjacket, or a corner of the book being bumped. No fundamental flaw should be part of an imperfect book's condition. E-mail us our call 505.988.5152 should you have questions prior to ordering a particular imperfect book.
Place your order now and we'll send you the item when it arrives.
You will not be charged until your order ships.
An additional change will be added to the standard handling charge for this item as it is a foreign publication and shipping expenses from foreign countries is extremely expensive or it requires a larger, more expensive box or it requires extra care in handling. Thank you for understanding!
First, I took a picture of the gas station seen from the window of the first car and started the trip. In July 1991, I spent eight days driving a narrow road from Atlanta, Georgia to Memphis, Tennessee, with some stops. When I got to big cities like Jackson, Birmingham and Montgomery, I parked with a parking meter and walked around a few blocks. I didn't intend to make a book, I just wanted to take a picture.
Thirty years later, after the recent previous administration exposed its extreme political incompetence, I looked back at this group of photographs and thought it subtly portrayed three aspects of the southern United States-blacks, whites, and Infrastructure at that time. Cultivation of cotton has been a key industry that has driven the economy from early on, and it is the slaves who have expanded and guaranteed their profits.
COTTON is a photobook. However, the background includes political and social stories; I stopped by a small black church and used two congregants to emphasize religious dominance and strong women. I saw the traces of industry in many small cardboard boxes rather than in many hectares of cotton fields. The last picture, of the five boys sitting on the bench, seems to symbolize the isolated leisure that occurs in the region. The camera is, so to speak, an unconscious Lithomas test.