Red Ink.

Photographs by Max Pinckers. Texts by Evan Osnos and Slavoj Žižek. Design by Rudy Latoir and Max Pinckers.

Max Pinckers, Brussels, Belgium, 2018. English, 180 pp., color illustrations, 6x7¾".

Edition of 850 copies.

Red Ink was commissioned by The New Yorker for the article “The Risk of Nuclear War with North Korea” by Evan Osnos, in the September 18, 2017 issue and supported by the Pulitzer Center on Crisis Reporting. Max Pinckers is affiliated as a researcher to KASK / School of Arts of University College Ghent. Margins of Excess is part of his research project financed by the Arts Research Fund of University College Ghent, 2015-2021

Red Ink was awarded the First Prize of of the Leica Oskar Barnack Award 2018

“In the resulting photographs, his lighting is complimentary yet forensic, scrutinizing the sheen of the propagandistic settings he visited during a trip that was heightened by the looming possibility of nuclear war. In a photograph taken at Pyongyang Orphans’ Secondary School, uniformed students sit in individual cubicles, like office workers, while a washed-out shade of pink pervades the classroom. The students look directly into the camera, save for a boy who has his eyes downturned. When I asked Pinckers about moments like these, where cracks in the North Koreans’ polished façade begin to show, he told me, ‘There’s a subversiveness that creeps into this kind of constructed situation. You can never really put a finger on it. You’re never really sure of anything.’” — José Ginarte, “A Photographer's Search for Cracks in North Korea's Propaganda Machine,” The New Yorker, 9 September 2017

Reviewed by Owen Kobasz on photo-eye Blog.

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