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The explosive growth in photography book publishing has presented photo-eye with an interesting challenge along with what we think is an exciting opportunity.
How can we continue to offer an ever-increasing inventory of photography books, keep those books continuously in stock and compete with the online deep discounters on price and shipping? The answer is that we can shift much our fullfillment to the web's most efficient book operation, Amazon.com.
Now we are happy to offer you Amazon's discounts on books which are almost always in stock from either Amazon directly or Amazon Marketplace. We can also provide you with the same shipping options that Amazon provides, including on qualified orders, free shipping.
It's important to understand that you will still be supporting photo-eye if you order from Amazon or Amazon Marketplace through photoeye.com. We make it easy for you to do this by providing a dual shopping cart system with separate checkouts.
However, you may still opt to purchase a particular title from photo-eye directly even though the same book is available through Amazon at a less expensive price.
Book publishing is not a perfect industry. Though all books are imperfect in some subtle way, we want to be as accurate as possible on our website if we know that there is a problem with a particular book. Imperfections range from a rubbed dustjacket, a small tear in the dustjacket, or a corner of the book being bumped. No fundamental flaw should be part of an imperfect book's condition. E-mail us our call 505.988.5152 should you have questions prior to ordering a particular imperfect book.
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You will not be charged until your order ships.
An additional change will be added to the standard handling charge for this item as it is a foreign publication and shipping expenses from foreign countries is extremely expensive or it requires a larger, more expensive box or it requires extra care in handling. Thank you for understanding!
Graphically dense [and] darkly printed..., Osamu Kanemura's celebrated Spider's Strategy shows Tokyo as a city of constant collisions, confusions, and expansion. Ever present is a tangle of overhead wires, suggesting a spider web spreading throughout the city, or the connective tissues of an organic and unguided growth.
"I know an American photographer who works in Japan, shooting interiors. I asked if she had tried any exteriors or cityscapes, and she almost visibly shuddered. When I saw the results of a few attempts at them, I saw her frustration: the control that she exerted on small spaces, and the relative composure of the interiors she shot, was practically lost in urban Japan. There is no such thing as unobstructed field of view, and power lines hang in dense clumps that shoot out on new trajectories at every street and alley. It’s a compositional nightmare. But it’s the substance of Kanemura’s work, reportedly taken while on newspaper routes across Tokyo: maximalist compositions whose vanishing points carom off apartment blocks, street poles, hoardings and bicycle handles.
But Kanemura counterintuitively works with the density, often foregrounding a significant obstacle, anchoring the picture with an unlovely but inescapable feature. The book is printed quite darkly, which accentuates the graphic claustrophobia; the only breaks in the book come in the form of two separate sheets printed with a metallic ink on one side. These breaks don’t seem to relate to anything, but they provide a welcome respite for those who find the visual experience maddening. Kanemura may be attempting some kind of integration with this project; the unconscious response in the city, and perhaps with such work, is to keep moving and walk briskly in order to let the chaos blur into a fog of geometry. The “strategy” here is to get tangled up in it all." —Alan Rapp