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The explosive growth in photography book publishing has presented photo-eye with an interesting challenge along with what we think is an exciting opportunity.
How can we continue to offer an ever-increasing inventory of photography books, keep those books continuously in stock and compete with the online deep discounters on price and shipping? The answer is that we can shift much our fullfillment to the web's most efficient book operation, Amazon.com.
Now we are happy to offer you Amazon's discounts on books which are almost always in stock from either Amazon directly or Amazon Marketplace. We can also provide you with the same shipping options that Amazon provides, including on qualified orders, free shipping.
It's important to understand that you will still be supporting photo-eye if you order from Amazon or Amazon Marketplace through photoeye.com. We make it easy for you to do this by providing a dual shopping cart system with separate checkouts.
However, you may still opt to purchase a particular title from photo-eye directly even though the same book is available through Amazon at a less expensive price.
Book publishing is not a perfect industry. Though all books are imperfect in some subtle way, we want to be as accurate as possible on our website if we know that there is a problem with a particular book. Imperfections range from a rubbed dustjacket, a small tear in the dustjacket, or a corner of the book being bumped. No fundamental flaw should be part of an imperfect book's condition. E-mail us our call 505.988.5152 should you have questions prior to ordering a particular imperfect book.
Place your order now and we'll send you the item when it arrives.
You will not be charged until your order ships.
An additional change will be added to the standard handling charge for this item as it is a foreign publication and shipping expenses from foreign countries is extremely expensive or it requires a larger, more expensive box or it requires extra care in handling. Thank you for understanding!
The work in Roaming appears arrestingly different than that in Todd Hido’s previous two monographs. It is as if, having spent so many nights outside the eerie, brightly lit suburban tract homes featured in House Hunting and Outskirts, he has suddenly put his foot on the gas pedal and driven into the next day. But these landscapes continue Hido’s mastery in portraying the most mundane scenes with a menacing air of expectancy. These unpeopled pictures, often taken through a car windshield, are so effective in creating tension they might almost have been staged. But in fact they are taken “as seen”; the telegraph poles, the straggling tree, the road leading nowhere are all exactly as encountered by Hido as he drove through Eastern Washington State, the California Central Valley, Indiana, South Louisiana and beyond.