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The explosive growth in photography book publishing has presented photo-eye with an interesting challenge along with what we think is an exciting opportunity.
How can we continue to offer an ever-increasing inventory of photography books, keep those books continuously in stock and compete with the online deep discounters on price and shipping? The answer is that we can shift much our fullfillment to the web's most efficient book operation, Amazon.com.
Now we are happy to offer you Amazon's discounts on books which are almost always in stock from either Amazon directly or Amazon Marketplace. We can also provide you with the same shipping options that Amazon provides, including on qualified orders, free shipping.
It's important to understand that you will still be supporting photo-eye if you order from Amazon or Amazon Marketplace through photoeye.com. We make it easy for you to do this by providing a dual shopping cart system with separate checkouts.
However, you may still opt to purchase a particular title from photo-eye directly even though the same book is available through Amazon at a less expensive price.
Book publishing is not a perfect industry. Though all books are imperfect in some subtle way, we want to be as accurate as possible on our website if we know that there is a problem with a particular book. Imperfections range from a rubbed dustjacket, a small tear in the dustjacket, or a corner of the book being bumped. No fundamental flaw should be part of an imperfect book's condition. E-mail us our call 505.988.5152 should you have questions prior to ordering a particular imperfect book.
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An additional change will be added to the standard handling charge for this item as it is a foreign publication and shipping expenses from foreign countries is extremely expensive or it requires a larger, more expensive box or it requires extra care in handling. Thank you for understanding!
The volume is a photographic testimony of the American urban fabric of the late 70’s. Charles H. Traub creates a series of portraits, depicting street tenants of Uptown Chicago and Bowery New York.
The author declares: «I wanted to see, to try to touch at least with my camera the experience of loss». The intent was not to satisfy a sort of voyeurism, but to witness the dignity and humanity of the homeless. They were very different from the contemporary ones; today they are no longer the result of individual destinies but of great social disparities.
A famous book by Nelson Algren, A Walk on the Wild Side, wondered why lost people sometimes become greater human beings than those who have never been in their lives. Skid Row responds by highlighting a nobility that unites urban communities, even in the worst moments.
Unfortunately, this sensitivity, due to gentrification and indifference, is now systematically suppressed in favor of a transformation made by urban chic.
It is therefore even more necessary to recount these experiences, so as to recall the fundamental role of the “lost nobles” in the construction of the historical identity of a city.