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The explosive growth in photography book publishing has presented photo-eye with an interesting challenge along with what we think is an exciting opportunity.
How can we continue to offer an ever-increasing inventory of photography books, keep those books continuously in stock and compete with the online deep discounters on price and shipping? The answer is that we can shift much our fullfillment to the web's most efficient book operation, Amazon.com.
Now we are happy to offer you Amazon's discounts on books which are almost always in stock from either Amazon directly or Amazon Marketplace. We can also provide you with the same shipping options that Amazon provides, including on qualified orders, free shipping.
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However, you may still opt to purchase a particular title from photo-eye directly even though the same book is available through Amazon at a less expensive price.
Book publishing is not a perfect industry. Though all books are imperfect in some subtle way, we want to be as accurate as possible on our website if we know that there is a problem with a particular book. Imperfections range from a rubbed dustjacket, a small tear in the dustjacket, or a corner of the book being bumped. No fundamental flaw should be part of an imperfect book's condition. E-mail us our call 505.988.5152 should you have questions prior to ordering a particular imperfect book.
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Paul Mpagi Sepuya reflects on the methodologies, strategies, and points of interest behind a single, expansive body of work at a pivotal moment in his career.
Paul Mpagi Sepuya’s photography is grounded in a collaborative, rhizomatic approach to studio practice and portraiture. This volume unpacks his Dark Room series (2016–21), offering a deep dive into the thick network of references and the interconnected community of artists and subjects that Sepuya has interwoven throughout the images. The excavation and mapping of intellectual and artistic data points across the artist’s work is presented through three distinct “voices,” allowing for a comprehensive cross-referencing of conceptual categories. Each category is alphabetized and illuminated via new texts by curator and scholar Gökcan Demirkazik; selections from previously published texts about the work by critics, colleagues, and friends; quotations of other writers’ work that inspire the artist; as well as writings by the artist on his thematic preoccupations as they appear and reappear throughout this ongoing body of work. Dark Room A–Z serves as an iterative return and exhaustive manual to the strategies and generative ways of working that have informed Sepuya’s image-making over the past two decades.