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The explosive growth in photography book publishing has presented photo-eye with an interesting challenge along with what we think is an exciting opportunity.
How can we continue to offer an ever-increasing inventory of photography books, keep those books continuously in stock and compete with the online deep discounters on price and shipping? The answer is that we can shift much our fullfillment to the web's most efficient book operation, Amazon.com.
Now we are happy to offer you Amazon's discounts on books which are almost always in stock from either Amazon directly or Amazon Marketplace. We can also provide you with the same shipping options that Amazon provides, including on qualified orders, free shipping.
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However, you may still opt to purchase a particular title from photo-eye directly even though the same book is available through Amazon at a less expensive price.
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A fashion and commercial photographer since 1968 and also a filmmaker, Sarah Moon is known for her dreamlike images and her representation of femininity as free from time and context, as living in a fairy world. Although Moon has been a major participant in the world of fashion for more than three decades, she has carefully carved out her own niche-a signature style that dispenses with the erotically suggestive poses favored by many of her male counterparts in favor of the emblems of luxury and nostalgia. Mystery and sensuality are at the core of Moon's work, whether she's photographing haute couture, still life, or portraiture. In this book, Moon's first major retrospective, viewers will be treated to a visual tour-de-force, showing all the genres she has explored in her rich and diverse career.
Born Marielle Hadengue in England in 1940, Sarah Moon studied drawing in art school in the late 1950s. By 1960 she had become a major fashion model, and it was through this work that she was first introduced to fashion photography. Around 1966, Moon's early fashion photographs gained notoriety. They were first exhibited at the Modinsolite exhibition of avant-garde fashion photography, held at the now-legendary Delpire Gallery, Paris, and sponsored by Kodak in 1968. Moon soon became known for her moody, impressionistic style and began to photograph for Vogue, Nova, Elle, British Harper's Bazaar, Delpire was also the director of Delpire Gallery in the St. Germain district of Paris, the first Paris gallery dedicated exclusively to photography. Delpire wMarie-Claire, Votre Beaute, and numerous others. Since 1980, Moon has done more than 150 clips and advertising films for such clients as Bally, Barney's, Courreges, Danone (Andy Award of Merit, 1983), Purina (Silver Lion, Cannes, 1989), Revlon (Clio Award, 1984), and TWA. Moon's feature-length film, Mississippi One, was released in 1990. Sarah Moon currently works and resides in Paris.
Robert Delpire is the legendary publisher of such classic photography books as Robert Frank's Les Americains (1958) and Henri Cartier-Bresson's Flagrant Delits (1968). In addition to Frank and Cartier-Bresson, since the 1950s Delpire has produced many of the most prestigious photography books under the imprint Delpire Editeur, with such noteworthy photographers as Rene Burri, Werner Bischof, Brassai, Inge Morath, and Josef Koudelka. Delpire's Photo Poche photography book series revolutionized the mass market dissemination and appreciation of the medium. In the 1970s works and resides in Paris.
"...On a rainy day, in the morning light, I look back at all these photos I have accumulated-moments of awakening, split seconds, a slow motion rough cut from a film, which I have been living by proxy, more from outside than inside... Is it dreams that my photographs are about? Or even better, are they hallucinations?"
-Sarah Moon
Moon's first major retrospective contains a stunning cross-section of the numerous genres she has explored during her 30 year involvement with photography, including 26 signature color images. "...On a rainy day, in the morning light, I look back at all these photos I have accumulated-- moments of awakening, split seconds, a slow motion rough cut from a film, which I have been living by proxy, more from outside than inside... Is it dreams that my photographs are about? Or even better, are they hallucinations?--Sarah Moon.