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PHOTO-EYE BEST BOOKS 2018
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George Slade's favorite book from 2018

I am from Minnesota, a great state for hockey; I watched a lot, but never played (I joked that I could skate and hold a stick, but not at the same time). I went to Yale as an undergraduate, never saw a hockey game there, but got wrapped up in photography, as did Drew Brown. AIRGAP melds the sport and the art in ways that astound me. The way Brown envisions these athlete-machines and their hibernal mise-en-scène recalls the work of another Yale-schooled artist, the Promethean Matthew Barney. I love first books like this—daring, imperfect, provocative, and visionary.


George Slade lives in Minneapolis. He is the founder and executive director of the photography organization TC Photo. Find him online as "re:photographica."

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George Slade's favorite book from 2018

In 2019 I was increasingly aware of astonishing production devices, including tipped-in objects, ingeniously folded pages, multiple paper types, and non-conventional colophon placement combined with intriguing visual and textual narratives. The year was rife with options for "Best Book."

My most exciting interaction with photobookworld, however, was in early October at the Silver Eye Book Fair, where I encountered a core sample of the dynamic scene of contemporary indie publishers and artist-driven books. The book that most intrigued me in Pittsburgh, however, is hardly a book at all.

First, it's a magazine, Issue Two of There, There quarterly published by theretherenow out of Columbia, Missouri. Second, it's not bound; the volume consists of loose, Risograph-printed, 10×12.5-inch sheets (miraculously fine reproductions from a relatively primitive printing machine). Third, to read it accurately, the sheets, printed on one side only, must be dealt out on a fairly large table, as images run from one sheet to another. It features work by Aspen Mays, Drew Nikonowicz, and John Mann; their black-and-white photographs are exquisitely interwoven into a sculptural whole, which must be seen to be appreciated. I could go on. Suffice to say, it's innovative, smart, and visionary.


George Slade, aka re:photographica, is a writer and photography historian based in Minnesota's Twin Cities. He is also the founder and director of the non-profit organization TC Photo. rephotographica.com/

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George Slade's favorite book from 2018

My selection has been taunting me ever since it arrived on my desk. The Moon Belongs to Everyone is evocative, modestly sized, and lovely to contemplate. It has also been resistant to my efforts to put words around it in the form of a review. I simply enjoy picking it up, smelling it, admiring the way its use of silver ink on black paper simulates moonlight and how its colors come at you like when you emerge from a darkroom, affirmatively yet respectfully. I love the enigmatic human gestures, the webs and veils and mists that Mehrfar has recorded. Her world reflects transience and striving, the challenges of finding one's footing. It's enigmatic and elusive, and it distinguishes itself in continuing to stymie my attempts to cast it in words.


George Slade is a writer and photography curator/historian based in Minnesota's Twin Cities.

georgeslade.photo
@rephotographica