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The explosive growth in photography book publishing has presented photo-eye with an interesting challenge along with what we think is an exciting opportunity.
How can we continue to offer an ever-increasing inventory of photography books, keep those books continuously in stock and compete with the online deep discounters on price and shipping? The answer is that we can shift much our fullfillment to the web's most efficient book operation, Amazon.com.
Now we are happy to offer you Amazon's discounts on books which are almost always in stock from either Amazon directly or Amazon Marketplace. We can also provide you with the same shipping options that Amazon provides, including on qualified orders, free shipping.
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However, you may still opt to purchase a particular title from photo-eye directly even though the same book is available through Amazon at a less expensive price.
Book publishing is not a perfect industry. Though all books are imperfect in some subtle way, we want to be as accurate as possible on our website if we know that there is a problem with a particular book. Imperfections range from a rubbed dustjacket, a small tear in the dustjacket, or a corner of the book being bumped. No fundamental flaw should be part of an imperfect book's condition. E-mail us our call 505.988.5152 should you have questions prior to ordering a particular imperfect book.
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See Until I See No More is the debut monograph of Isa Marcelli and presents a substantial collection of her finest photographic works in an exquisite clothbound limited edition. Formerly a furniture designer and mosaic artist, Marcelli turned to photography in 2008, representing a new pathway to explore her personal vision. In the succeeding years, her inventive approach to the medium helped her emerge as a distinct voice among contemporary photographers participating in the revival of the reverse technology/alternative and historic process movement. Yet, while Marcelli’s wet plate collodion and lith pieces featured in See Until I See No More are notable for how they were made, it’s her willingness to embrace not only the unpredictable results that such processes lend themselves but also the equally unpredictable and more significant existential questions that bring her work authenticity, depth, and meaning.
And while the book will surely be appreciated by anyone interested in alternative process photography, Marcelli’s photographs—simultaneously delicate and powerful, mysterious and revealing—transcend the methods in which they were made. Her works often appear as if they were drawn from memory and offer viewers a reprieve from the chaotic world. They are universal because they are personal and act as archetypes of the unconscious, revealing more as the layers are peeled away. The photographs—portraits of family and friends, still lifes, florals, and places of tranquil refuge—are rich with symbolism and can be seen as metaphors for feminity, mortality, aging, desire, remembrance, the cycle of life, and becoming one with nature. Marcelli’s is a poetic, sensitive universe where nature and humanity mingle and reveal a vision of the world imbued with the fragility of existing—one in which viewers are welcomed in the pages of See Until I See No More.
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