Empire.

Photographs by Jon Tonks.

Dewi Lewis, 2013. 188 pp., 85 color illustrations, 10x7¾".

Selected as one of the Best Books of 2013 by:

First edition sold out. Second edition arrives in US in the fall of 2014.

Empire' is a fascinating journey across the South Atlantic exploring life on four remote islands - the British Overseas Territories of Ascension Island, Tristan da Cunha, the Falkland Islands and St. Helena - relics of the once formidable British Empire, all intertwined through their shared history.

Jon Tonks spent up to a month at a time in each territory, travelling 60,000 miles around the Atlantic via military outposts, low-lit airstrips and a long voyage aboard the last working Royal Mail Ship. Some 400 rolls of film, 24 flights and 32 days at sea later, the resulting work creates an insight into these distant places that resonate with a sense of Britishness which is remarkably recognisable yet inescapably strange. Tonks has photographed the people, the landscapes and the traces of the past embedded within each territory and through short texts, which combine history and anecdote, he tells the story of these remote and remarkable islands. His motivation is neither political or nostalgic, the images arising primarily from his curiosity about the lives of these distant lands that remain very firmly British.

Born in the West Midlands in 1981, Jon Tonks studied product design before becoming a staff photographer on a local newspaper. He moved to London to take a master's degree in Photojournalism & Documentary Photography at London College of Communication, and it was during his studies that he undertook a trip to Ascension Island which was to launch the Empire project. Jon now works for a variety of editorial and commercial clients including The Sunday Times Magazine, Guardian Weekend Magazine, Financial Times Magazine, Monocle magazine and Nokia. His work has also been shortlisted for the Taylor Wessing National Portrait Prize in 2012, and selected twice for the Terry O'Neill awards. 'Empire' is his first book.

Read the review by Colin Pantall

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